About
Melissa Hart is the author of the memoir, Gringa: A Contradictory Girlhood (Seal, 2009). Her articles and essays have appeared in The Washington Post, The Los Angeles Times, The Advocate, High Country News, Orion, The Chronicle of Higher Education, Adbusters, Hemispheres, Horizon Air Magazine, and numerous other publications. Web: http://www.melissahart.com.
She lives in Oregon with her daughter, five cats, and her husband–photographer Jonathan B. Smith. She teaches Travel and Feature Writing for the School of Journalism and Communication at the University of Oregon. Contact her at melissa(at)melissahart(dot)com.
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Why You Should Read Your Writing Out Loud . . .
If you want to sing out, sing out!
Last Christmas, Santa brought my kid a karaoke machine which I immediately swiped for my own literary purposes. It’s got a microphone and an amplifier, perfect for reading my rough drafts out loud to one or more of the cats in my office on any given morning. Alone except for Alger Hiss and Eeyore, I pretend I’m reading on This American Life, rehearsing word choices and sentences and characters’ emotions.
I’ve always suggested that my writing students read their work aloud before submitting it to editors. At its most basic, performing a piece allows you to catch typos and problems with verb tense and awkward syntax. But if you envision yourself on the radio or on stage, and treat your reading like a performance, you’ll get a solid feeling of the manuscript’s narrative arc and characterization and theme. Trust me—reading out loud is not just for former high school thespians—and it’ll prep you for going on book tour once your manuscript’s in print.
Fellow Eugenean, JoJo Jensen, understands the value of reading aloud. I’ve just finished writing a short profile of her new business for The Writer Magazine. Jensen, who works as a voice talent, launched Chapter & Voice earlier this year—it’s a service for writers in any genre, matching a short segment of their manuscript with a professional voice talent to produce a high-quality digital audio clip which writers can then send to agents and editors, attach to their e-mail signature, and put on their website as one more way to reach out to readers.
Writing can be an awfully silent endeavor. If you work like I do, you prefer no music, no television, not even a rousing cat-fight to interrupt the creative process. But once you’ve finished your rough draft, why not grab the nearest karaoke machine and have at it? Better yet, gather an audience of friends and family members and perform your piece. Once you’re comfortable reading your work aloud, you can craft 300-word commentaries in your spare time and read them on various radio stations. Here are a few websites to get you started:
I’d love to know readers’ methods for reading your work aloud. Feel free to comment below!
September 22, 2011 Posted by lissahart | writing | book tour, cats, Chapter & Voice, essays, JoJo Jensen, karaoke, Melissa Hart, Minnesota Publi Radio, radio commentary, reading aloud, The Writer, This American Life, This I Believe, voice talent, writing, Youth Radio | 4 Comments